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NameJui-Ch’i Liu
Telephone number02-2826-7000 #7207
E-mail
Personal websitehttp://www.ym.edu.tw/hss/jcliu/website/
CategoryFull-Time
Job titleDistinguished Professor
Research expertisePhotography Studies
Gender and Visual Cultures (Visual Arts, Photography, Fashion, Film)
European/American Modern and Contemporary Art
Art and Critical Theories
Medicine’s Visual Cultures

Writing

  1. Experience
    1.  
    2. 2013.8-
      Professor and Chair, Graduate Institute for Studies in Visual Cultures, National Yang-Ming University 
    3. 2013.8-
      Director, Division of Yang Ming University, International Program in Inter-Asia Cultural Studies, University System of Taiwan
    4. 20012.8-2013.7
      Associate Professor and Director (prep. office), Graduate Institute for Studies in Visual Cultures, National Yang-Ming University
    5. 2009.8-2012.7
      Associate Professor, School of Humanities and Social Sciences, National Yang-Ming University
    6. 2006.2-2009.7 Associate Professor, Center for General Education/ Institute of Sociology, National Tsing Hua University
    7. 2005.8-2006.1 Associate Professor, Center for General Education, National Tsing Hua University
    8. 2003.8-2005.7 Associate Professor, Institute of Art Studies, National Cheng Kung University
    9. 1999.8-2003.7
      Assistant Professor, Institute of Art Studies, National Cheng Kung University
  2. Education
    1. 1999.8 Ph.D., History of Art Department, Bryn Mawr College
    2. 1996.8 M.A., History of Art Department, Bryn Mawr College
    3. 1993.6 M.A., Graduate Institute of Art History, National Taiwan University
    4. 1990.6 B.A., Foreign Language and Literature Department, National Taiwan University
  3. Honor and Scholarship


    1.  
    2. 2013-2015 Faculty Award of Special Excellence, National Yang Ming University
    3. 2013 101 Annual Excellent Teacher Award, National Yang Ming University
    4. 2012 Distiguished Award for General Eduation Teachers, Minstry of Education, Taiwan
    5. 2011-2013 Faculty Award of Special Excellence, National Yang Ming University
    6. 2011-2013 Excellent Projects for Young Scholars, National Science Council 
    7. 2010-2011 Faculty Award of Special Excellence, National Science Council
    8. 2007 Faculty Award for Academic Excellence, National Tsing Hua University
    9. 2006  Faculty Award for Academic Excellence, National Tsing Hua University
    10. 2006 The Ninth Annual Research Award of New Faculty, National Tsing Hua University
    11. 2005 Ten potential people of Taiwan, Central News Agency, 2005
    12. 2004 Academia Sinica Research Award for Junior Research Investigators
    13. Fall 2004 Distinguished Project, General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan
    14. Spring 2004 Distinguished Project, General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan
    15. Fall 2003 Distinguished Project, General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan.
    16. Fall 2002 Best Teacher Awards, General Education, National Cheng Kung University 
    17. 2000-2001 Research Award, National Science Council 
    18. 1999-2000 Research Award, National Science Council 
    19. 1997-1998 Dissertation Fellowships for ROC Students Abroad, Chiang Ching-kuo Foundation for International Scholarly Exchange
    20. 1996-1997 Asian Cultural Council Fellowship 
    21. 1993-1996 Grant for Studying Abroad on Government Funds, Ministry of Education, Taiwan 
  4. Journal Articles
    1.  
    2. Winter 2015, Jui-Ch'i Liu, “Beholding the Feminine Sublime : Lee Miller’s War Photographs,” in Signs : Journal of Women in Culture and Society, 40: 2, pp. 308-19.【A&HCI】 
    3. Jui-Ch'i Liu, “The Feminine Sublime,” in Router: A Journal of Cultural Studies, 17 (Fall 2013), pp. 87-122. (in Chinese)
    4. Jui-Ch'i Liu, “Camera as Weapon: Tina Modotti’s Revolutionary Photography,” in Taida Journal of Art History, 34 (Mar. 2013), pp. 163-228. (in Chinese) 
    5. Jui-Ch'i Liu, “Calling the Hidden Name of the Female Dandy?: Berenice Abbott’s Portrait photographs of the Lesbian Writers in the 1920s,” in Router: A Journal of Cultural Studies, 13 (Fall 2011), pp. 7-56. (in Chinese)
    6. Jui-Ch'i Liu, “Helen Levitt’s Photography of Female Flânerie,” in Chung Wai Literary Monthly, 39: 2 (Jun. 2010), pp. 91-141. (in Chinese)
    7. Feb. 2010,Jui-Ch'i Liu, “Female Spectatorship and the Masquerade: Cindy Sherman’s Untitled Film Stills,” in History of Photography, 34: 1, pp. 79-89. 【A&HCI】
    8. Jui-Ch'i Liu, “Diane Arbus’s Halloween of Wonder: The Re-enchantment and Communitas of Women with Down’s Syndrome,” in Taida Journal of Art History, 26 (Mar. 2009), pp. 93-134. (in Chinese)
    9. Jui-Ch'i Liu, “Between Voyeurism, Seduction, and Confrontation: Mary Ellen Mark’s Ward 81,” in Taiwanese Journal for Studies of Science, Technology and Medicine, 4 (Apr. 2007), pp. 109-149. (in Chinese)
    10. Jui-Ch'i Liu, “Maternal Fetishism in Sally Mann’s Photographs of Her Children,” in Taida Journal of Art History, 17 (Sep. 2004), pp. 191-226. (in Chinese)
    11. Spring/ Summer 2004, Jui-Ch'i Liu, “Francesca Woodman’s Self-Images: Transforming Bodies in the Space of Femininity,” in Woman’s Art Journal, 25: 1, pp. 26-31. 【A&HCI】
    12. Jui-Ch'i Liu, “Cindy Sherman’s Grotesque Parody,” in Chung Wai Literary Monthly, 32: 7 (Dec. 2003), pp. 65-99. (in Chinese)
    13. Jui-Ch'i Liu, “Desperately Seeking Female Spectators: Cindy Sherman’s Untitled Film Stills,” in Journal of Women’s and Gender Studies, 15 (May 2003), pp. 153-193. (in Chinese)
    14. Jui-Ch'i Liu, “Mirroring a Jewish Lesbian’s Identity: Self-representation by Claude Cahun,” in Humanitas Taiwanica, 55 (Nov. 2001), pp. 165-212. (in Chinese)
    15. Jui-Ch'i Liu, “The State of Research in Postwar American Abstract Painting,” in Taida Journal of Art History, 9 (Sep. 2000), pp. 207-237. (in Chinese)
    16. Jui-Ch'i Liu, “Feminist Approaches to Art History,” in Research on Women in Modern Chinese History, 8 (Jun. 2000), pp. 195-235. (in Chinese)
  5. Symposium Papers & Conference Proceedings
    1.  
    2.  Jui-Ch'i Liu, “Looking at the Performance of Male Bodies in Landscape: Imogen Cunningham's Photographs of the Male Nude,” in 2013 International Conference on Performativity of Visual Cultures, National Yang Ming Univetsity, Dec. 14, 2013. (in Chinese)  
    3. Jui-Ch'i Liu, “Beholding the Feminine Sublime: Lee Miller’s War Photography,” in 4th Annual International Conference on Visual and Performing Arts, Athens, Greece, June 3-4, 2013 
    4. Jui-Ch'i Liu, “Calling the Hidden Name of the Female Dandy?: Berenice Abbott's Portrait Photographs of the Lesbian Writers in the 1920s,” in 2011 International Conference on Visual Culture, National Yang Ming Univetsity, Dec.  3-4, 2011.
    5. Jui-Ch'i Liu, “Berenice Abbott's Photography of New York Flânerie,” in International Conference on Visuality and Cultural Literacy, National Central University, Jhongli, Taiwan, Dec. 12-13, 2009. (in Chinese)
    6. Jui-Ch'i Liu, “Between Voyeurism, Seduction, and Confrontation: The Alternative Archive of Mary Ellen Mark’s Ward 81,” in Visuality, Memory, Collection Conference, National Taichung University of Education, Taichung, Taiwan, May 27-28, 2006. (in Chinese)
    7. Jui-Ch'i Liu, “Marginal Perspectives: Mary Ellen Mark's Photographs of Prostitutes in Falkland Road, Bombay,” in 9th International Conference on Women, Ewha Woman's University, Seoul, Korea, Jun. 19-24, 2005.
    8. Jui-Ch'i Liu, “Maternal Fetishism in Sally Mann’s Photographs of Her Children,” in Annual Conference of Cultural Studies, Taipei, Taiwan, Jan. 3-4, 2004. (in Chinese)
    9. Jui-Ch'i Liu, “Desperately Seeking Female Spectators: Cindy Sherman’s Untitled Film Stills,” in Art and Identity International Conference, organized by the Project of Western Art History Studies Sponsored by National Science Council at the National Taiwan Normal University, Taipei, Taiwan, Oct. 3-5, 2003. (in English and Chinese)
    10. Jui-Ch'i Liu, “Francesca Woodman’s Body Art,” in Changing Bodies: Concepts and Images of the Body in Western Art International Conference, organized by the Project of Western Art History Studies Sponsored by National Science Council at the National Taiwan Normal University, Taipei, Taiwan, Mar. 31-Apr. 2, 2002. (in English and Chinese)
    11. Jui-Ch'i Liu, “Sexual and Racial Identities in Florine Stettheimer’s self-representation,” in Journey of Healing: Women’s Spirituality and Artistic Representations International Conference, Taipei, Taiwan, Nov. 10-12, 2000. (in Chinese)
  6. Monographs
    1.  
    2. Jui-Ch'i Liu, “Maternal Fetishism in Sally Mann’s Photographs of Her Children,” in Contesting the Meanings of Modern Portraiture, ed. Jui-Ch'i Liu (Taipei: Yuan-Liou, 2012), pp. 18-59. (in Chinese)
    3. Jui-Ch'i Liu, “Diane Arbus's Halloween of Wonder: The Re-enchantment and Communitas of Women with Down's Syndrome,” in (In)Sight: Visual Culture and Aesthetics, ed. Pin-chia Feng and Shun-Liang Chao (Taipei: Bookman, 2010), pp. 267-302. (in Chinese)
    4. Jui-Ch'i Liu, Feminine Masquerade: Self-representations by Women Photographers (Taipei: Yuan-Liou, 2004). (in Chinese)
    5. Jui-Ch'i Liu, “Francesca Woodman's Body Art,” in Changing Bodies: Concepts and Images of the Body in Western Art, ed. Shai-Shu Tzeng (Taipei: SMC, 2004), pp. 239-264. (in Chinese)
    6. Jui-Ch'i Liu, “Sexual and Racial Identities in Florine Stettheimer's self-representation,” in Journey of Healing: Women’s Spirituality and Artistic Representations, ed. Ying-ying Chien (Taipei: Fembooks, 2003), pp. 77-105. (in Chinese)
    7. Jui-Ch'i Liu, Carnival Culture and the Engendering of Florine Stettheimer, Ph.D. dissertation, Bryn Mawr College (May 1999).
  7. Book Edited
    1. Jui-Ch'i Liu, “Introdution,” in Contesting the Meanings of Modern Portraiture, ed. Jui-Ch'i Liu (Taipei: Yuan-Liou, 2012), pp. 6-15. (in Chinese)
  8. Other Publication
    1. Jui-Ch'i Liu, “The Illusion of Reality: Jerry Uelsmann’s Photography of Post-Visualization,” in Whispers of Blended Shadows: The Art of Jerry Uelsmann (Taipei: Taipei Fine Arts Museum, 2008), pp. 28-31. (in Chinese)
    2. 2006 年 11 月,劉瑞琪,〈法蘭雀斯卡‧巫德曼的身體藝術〉,《光線》,第 2 期,中國:攝影之友雜誌社,頁 34-41。
    3. 2006 年 7 月,劉瑞琪,〈通識課程介紹:西洋現代與當代藝術導論〉,《通識在線》,第 5 期,台北:通識教育學會,頁 58-60。
    4. 2005 年 5 月,劉瑞琪, Linda Nochlin著,〈導讀:女性重塑藝術歷史的典範〉,《女性、藝術與權力》,台北:遠流出版社,頁 i-v。
    5. 2002 年 9 月,劉瑞琪,〈簡介女性主義視覺文化研究的新興領域-女性攝影家研究〉,《婦女與性別研究通訊》,第 64 期,台北:國立台灣大學人口與性別研究中心婦女與性別研究組,頁 42-43。
    6. Jui-Ch'i Liu, “Edgar Degas in the eyes of Women, Women in the eyes of Edgar Degas,” in Con-Temporary Monthly, 139 (Mar. 1999), pp. 102-115. (in Chinese)
  9. Translation
    1. From English to Chinses: Steven Z. Levine, “Face Painting: Self-Representation in France from Montaigne and Poussin to Duchamp and Lacan,” in Changing Bodies: Concepts and Images of the Body in Western Art, ed. Shai-Shu Tzeng (Taipei: SMC, 2004), pp. 111-129.
  10. Teaching Experience
    1. (一) National Yang-Ming University (Fall 2009-present)

      1.) Graduate Seminar  Seminar in Social History of Photography
      Body and Masquerade in Modern and Contemporary Visual Cultures
      Methods and Theories of Art History
      Technology, Bodies, and Otherness in Modern Visual Cultures
      Seminar: Social History and Sociology of Visual of Visual Cultures
      2.) General Education
      Core Courses

      Modern Visual Culture
      History of Images and Gender
      Photography and Modern Civilization

      3.) General Education Selective Courses: History of Western Painting

    2. (二) National Tsing Hua University (Fall 2005-Spring 2009)

      1.) Graduate Seminars for the Institute of Sociology Postmodernism and Visual Culture
      Technology, Body, and the Other in Modern Visual Cultures
      Gender Theories and Visual Cultures
      Film and Society
      Photography and Society
      Modern Visual Cultures, Technology, and Society
      2.) General Education Courses Contemporary Visual Culture
      Gender and Film
      3.) Courses for the Department of Humanities and Social Sciences Gender and Film

    3. (三) National Cheng Kung University (Fall 1999-Spring 2004)

      1.) Graduate Seminars Methodologies of Art Studies
      Feminist Theories and Western Art History
      The Body in Visual Representation
      Women Photographers
      Gender and Film
      Dutch Painting in the Seventeenth Century
      Seminar in Modern Art
      Postmodernism and Visual Culture
      Taiwanese Contemporary Art
      2.) General Education Courses Western Modern and Contemporary Art
      History of Photography
      Photography and Modern Life
      3.) Courses for the Department of Taiwanese Literature Taiwanese Contemporary Visual Culture

  11. National Science Council Grants
    1.  
    2.  
    3.  
    4. 2014-2015 Alice Austen's Photography of the New Women and the Immigrants
    5. 2013-2014 Reconsidering Francesca Woodman's Self-representations
    6. 2011-13 A Study of Lee Miller's Surrealist and War Photography
    7. 2010-13 Book Purchase Project for the Humanities and Social Sciences: Art Theories
    8. 2010-11 A Study of Imogen Cunningham's Nude Photography
    9. 2009-10 John Thomson’s Photographs of Taiwan and China
    10. 2008-09 A Study of Dorothea Lange’s Documentary Photography
    11. 2007-08 Art and Revolution: Tina Modotti's Photography
    12. 2006-07 Flâneuse’s Perspective of the New York City and Female Dandy: Berenice Abbott's Photography
    13. 2005-06 The Flâneuse Helen Levitt's photography of the New York City
    14. 2004-05 Marginal Perspectives: Mary Ellen Mark’s Photography
    15. 2003-04 The Grotesque Freaks and Maskers: Diane Arbus’s Photography
    16. 2002-03 Sally Mann’s Photography of Children and Adolescents
    17. 2001-02 Self-representations by Francesca Woodman
    18. 2000-01 Self-representations by Cindy Sherman
    19. 1999-2000 The Androgynous Imagery by Dada and Surrealist Women Artists
  12. Other Grants
    1. Spring 2009 Project for General Education Courses: D. Promotion of Excellent Courses, Advisory Office, Ministry of Education, Taiwan (The Leading Excellent Course)
    2. Fall 2004 General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan
    3. Spring 2004 General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan
    4. Fall 2003 General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan
  13. Service
    1.  
    2. 2012.7-2014.3 Vice Director of the International Center for Cultural Studies, University System of Taiwan (Convener of Visual Culture Research Group and Yang Ming Office) 
    3. 2011.1-2012.6 Convener of Visual Culture Research Group and Yang Ming Office, Preparatory Office of the International Center for Cultural Studies, University System of Taiwan 
    4. 2011.12.3-4 Director (with Wenchi Lin as Directors) of International Conference on Visual Culture at National Yang Ming University, Taiwan
    5. 2010 Convener of Yang Ming Office, Project of Cultural Studies, University System of Taiwan
    6. 2010.8.9-11 Director of Visual Culture Workshop, National Yang-Ming University, sponsored by The Center for Humanities Research of the National Science Council and by Yang-Ming Office of Cross-Campus Program in Cultural Studies, University System of Taiwan
    7. 2006.5.27-28 Co-director of Visuality, Memory, Collection Conference, National Taichung University of Education, Taichung, Taiwan, sponsored by National Science Council
    8. 2003.10.18-19 Organizer of “Urban Art History” workshop, National Cheng Kung University, sponsored by National Science Council
    9. 2000-05 Committee Member, Project of Western Art History Studies, sponsored by National Science Council at the National Taiwan Normal University, Taipei, Taiwan.
  14. Thesis Supervision

    1.  
    2.  
    3.  
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    5.  
    6.  
    7. 2010.6    Kuan-Hua Chen, The Magical Water: On the Mother’s Absence in Chang Tso-Chi’s The Best Of Times, MA Thesis, Institute of Art Studies, National Cheng Kung University
    8. 2010.1    Hao-Ching Hsu, The Photography of Taiwan Betel-nut Beauties: A Study, MA Thesis, Institute of Art Studies, National Cheng Kung University
    9. 2009.6    Hyueh-Ming Chung, The Politics of Postmodernist Film-EmirKusturica’s When Father Was Away on Business, Time of the Gypsies and Underground, MA Thesis, Institute of Art Studies, National Cheng Kung University
    10. 2008.6    Ai-Jane Huang, A Study of the Female Subject in Su-Hsia Hsu's Picturebook, “Mom,It's Sunny Outside!,” MA Thesis, Institute of Art Studies, National Cheng Kung University
    11. 2008.6    I-Pei Tu, The Feminist Camp in Tsai Ming-Liang's The Hole and The Wayward Cloud, MA Thesis, Institute of Art Studies, National Cheng Kung University
    12. 2008.1    Tz-Ling Lai, Black Sisters: A Study of the African-American Female Subjectivity in Faith Ringgold's French Collection, MA Thesis, Institute of Art Studies, National Cheng Kung University
    13. 2007.6    Huang Chu, A Study of Long Fa Tang’s Photography, MA Thesis, Institute of Art Studies, National Cheng Kung University
    14. 2007.6    Shih-Hang Chou, The Spectacle of Grotesque: The Trilogy of Wu Tien-Chang's Works, MA Thesis, Department of Foreign Languages and Literatures, National Chiao Tung University (co-supervised with I-Chu Chang)
    15. 2007.6    Zheng Yanlin, The Violent Aesthetics in Francis Bacon’s Painting: Body, Space, and Identity, Outstanding National Science Council Project for College Students
    16. 2007.1    Chia-Chi Wu, A Study of the “Diagram of Commotion and Desire” by Kuo Wei-Kuo, MA Thesis, Institute of Art Studies, National Cheng Kung University
    17. 2006.6    Hui-Yin Chung, The Power of the Female Gaze in Sally Potter’s Thriller, Orlando and The Tango Lesson, MA Thesis, Institute of Art Studies, National Cheng Kung University
    18. 2006.6    Fang-Yu Su, Peripatetic without Hesitation ─Illustrating Yang Mao-Lin’s Cultural Identities with Exploring his “MADE IN TAIWAN: CULTURE PAGE,” MA Thesis, Institute of Art Studies, National Cheng Kung University
    19. 2005.6    Fang-Lan Wen, Reclaiming the Matriarchy ─A Study of the Paintings by Leonora Carrington, MA Thesis, Institute of Art Studies, National Cheng Kung University
    20. 2005.6    Jeng-Jei Huang, A Study of Hans Bellmer’s Doll Photography, MA Thesis, Institute of Art Studies, National Cheng Kung University
    21. 2005.6    Ya-Chie Yuang, A Study of Alchemic Images by Leonora Carrington and Remedios Varo, MA Thesis, Institute of Art Studies, National Cheng Kung University
    22. 2005.6    Kun-Fen Tsai, The Construction of Masculinity in Pu-Liao Hsu's Comedy Movies, MA Thesis, Institute of Art Studies, National Cheng Kung University
    23. 2004.1    Chen-Yi Chien, Confinement and Transgression: Madwoman in Mary Ellen Mark's “Ward 81,” MA Thesis, Institute of Art Studies, National Cheng Kung University
    24. 2004.1    Xiu-Hui Guan, The Bodily Images of Transgessing the Social System: Hou Jun–Ming’s Sou Shen Ji and Chen Jie-Ren’s Hun Po Bao Luan, MA Thesis, Institute of Art Studies, National Cheng Kung University
    25. 2003.6    Yi-Hsuan Yeh, A Study of Berenice Abbott's New York Photographs, MA Thesis, Institute of Art Studies, National Cheng Kung University
    26. 2003.6    Yun-Yi Lee, A Study of Gender and Ethnic Identity in the Paintings of the Bunun Female Artist Ebu, MA Thesis, Institute of Art Studies, National Cheng Kung University
    27. 2003.6    Ai-Chuan Tuan, All About Performance: Camp Esthetics in Pedro Almodovar's Films, MA Thesis, Institute of Art Studies, National Cheng Kung University
    28. 2002.6    Chin-Wen Kang, The Death of Male Subjectivity in American Beauty and Fight Club, MA Thesis, Institute of Art Studies, National Cheng Kung University
    29. 2002.6    Chia-Chi Chen, The Anxiety of Representing the Other and Reflecting the Self: Guan Xiao-Rong’s Photographs of Lanyu, MA Thesis, Institute of Art Studies, National Cheng Kung University
    30. 2001.1    Liang Chun Chin, Homosexuality in the Painting of Shiy-De-Jinn, MA Thesis, Institute of Art Studies, National Cheng Kung University
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